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Back in the present in Mulder’s apartment, Fox doesn’t get the chance to shoot Cassandra Spender. Biohazard soldiers from the Center for Disease Control break down the door, spray Sculder and Cassandra into submission, then treat the room like they are preventing an outbreak. (I’ll bet Mulder’s neighbors just hate him.) Agent Diana Fowley claims the trio is being treated for an unknown contagion.
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Alex Krycek is reading Cassandra’s medical records to a small group of Syndicate members. Cancer Man wants to give Cassandra to the rebels for their own preservation. Back at Fort Marlene, apparently our heroes are no longer prisoners -- Mulder is able to talk to Assistant Director Skinner by phone, and a nurse ignores him while Fox literally runs around the place looking for a woman in a white hospital gown who bolted when she saw him. (Maybe his thrift-store attire repulsed her.) He finds her hiding from him. It’s Marita Covarrubias and she looks like hell. (Does Alex even know she’s there? Does he care?) Marita admits Cassandra is part of a hybrid program that’s been running for 25 years. Covarrubias became part of the vaccine protocol, but Cassandra truly was the first successful alien/human hybrid. And knowledge of her existence will result in the colonization of aliens on Earth.
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Meanwhile, Sculder separately make their way to The Lone Gunmen, who -- along with Scully -- try to convince Fox that he cannot trust Diana. Why is Mulder only a conspiracy believer when it suits him? His denial during every step of their investigation’s results is extremely frustrating. Why wouldn’t he think it’s important to know Fowley was ordered to covertly obtain information on every female abductee in Western Europe? Victims just like Scully. And why would a man whose credo is “trust no one” trust someone like Diana so blindly? If anyone has earned Fox’s trust, it’s Dana. Scully’s puzzle pieces fit, Mulder. You just don’t want to put them together.
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Jeffrey Spender goes to the Syndicate hangout in New York City looking for Cancer Man, but Krycek claims they’re gone and not coming back. And CSM is on his way to retrieve Cassandra. Jeffrey naively thinks that’s not possible. The doctors drug Cassandra and the spouses have a private conversation in which he claims he’s been trying to save her and their son. She says Jeffrey can only be saved if Cancer Man kills her. The coward leaves, of course.
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Sculder arrive at the yards and shoot at the front of the train. The faceless rebel doctor and Cassandra are on board. At the same time, the older-but-not-wiser (it’s really your call) Syndicate members are back in the Air Force base hangar with a new crop of “volunteers.” Skinner arrives at the train yard to take his former agents to the hangar. (I guess they couldn’t stop a train after all with a car on the tracks and bullets. I also assume showing an actual train crashing into a car was outside of this episode’s budget.)
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Back at FBI headquarters, it’s daytime and Assistant Director Kersh, who is so far out of this loop that he can’t even see the loop, is looking at photos of the charred remains of the people from the hangar. Skinner and Agents Spender, Mulder and Scully are present. Officially, Cassandra is among the dead. Officially, Jeffrey is also taking responsibility for his screwups and pleads Sculder’s case in putting them back on the X-Files. Kersh still doesn’t get the clear-cut answers he wants, but apparently it’s enough. Spender confronts Cancer Man in his office. CSM continues to hold Fox in higher regard than his own son, who he shoots at point blank range! He also steals back the old photo of himself and Bill Mulder. Murder and petty theft? That’s just evil.
Sestra Professional:
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Sestra Am is definitely right about that opening monologue. My issue with it is the condensation of our six-plus years of watching and the five decades the show's Elders were working their plan, sacrificing loved ones like Samantha, coming to a conclusion like that. And the sanctimonious dialogue ... blah, blah, blah ... "A 50-years war, its killing fields lying in wait for the inevitable global holocaust" ... "unwitting spectators to the hurly-burly of the decades-long struggle between heaven and Earth" ... yadda, yadda, yadda. Who talks like that? And who wants to listen to someone who does?
This would be our tragic mistake: When it comes to the now-time-honored tradition of deciding when a show "jumped the shark," this is the episode I point to. Not that there's still not enjoyment to be had, it's more like the turning point when I lost my ability to buy into the scenario and started watching more for characters than the desire to get to the end game. Maybe this is when fans' incredible need to see Fox and Dana getting it on really took hold. The suspense was gone, and watching Sculder go through their paces every week meant more when their relationship hung in the balance instead of the fabled conspiracy.
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What choice have we if we want to see our families survive? Pretty much the opposite happened. It's not that I don't appreciate them blowing it all up, because I really do. I just thought it was going someplace it never actually got. Carter and team often declared there was no show bible pointing the way to the end of the road. Well, it kind of showed with plot twists left open and a Syndicate gameplan that showed an incredible lack of foresight from people who had been able to keep their secrets for 50 years. It was a terribly disappointing conclusion to the early string of conspiracy episodes that literally kept me on the edge of my seat.
Jeffrey Spender never had a chance. Certainly not from Carter and his writing team, and as a result, not at all from the fan base. Jeffrey certainly didn't inherit any of the genes Cancer Man possessed that made us interested in such a diabolical character. Spender was running the X-files for half a season, but we didn't see him do anything but whine in the occasional conspiracy episode. During the regular run, it's true, I was all, yay, that's the end of him. But the fact is he could have been used better. It would have been a nice seeing him try to come to terms with an X-file. A disservice was done to him and actor Chris Owens.
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As for Diana Fowley, well, frankly, I don't want her to have a chance. She's not interesting. She's a walking, talking monologue. She meanders through scenarios with the greatest of ease, even though she wasn't part of the mythology for almost five years and a movie. Plus she's making Fox look ridiculous, Dana appear jealous and CSM incapable of doing anything for himself.
Because without the FBI, personal interest is all that I have: There are some things I like about "One Son." As Sestra Am said, not sure why Mulder would take Fowley's word over Scully's, maybe Fox was thinking with his anatomy and he hadn't yet done the deed with Dana, so... But the discussion our leads have in The Lone Gunmen's environs is a solid status check on their relationship, which later heightens the almost-thrown-away nature in which Mulder later sends Fowley ahead to follow up on Scully's instinct.
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It's all gone to hell: It was nice to see Jeffrey finally coming around, particularly when he was confronted by Marita. Putting the two never-had-a-chances in the same space gave both a jolt. Then Krycek (still seeming a lot smarter than CSM would ever give him credit for being) winds up in the very same place Marita and Jeffrey are in. I'll give that a pass, because it added another charge to the scene. Spender later summons up the intestinal fortitude to declare he was wrong about everything and Mulder and Scully should be put back on the X-Files.
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"The loss of life here is, it is beyond words," Kersh says in his office. Well, I've got some -- boring, nonsensical, ineffectual. And why Cigarette Smoking Man shot his son, I still don't understand. CBG respects the choices Bill Mulder and his son made, even when they were in opposition to his own. But apparently Jeffrey is afforded no such latitude. Just when he was getting interesting.
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