

At the local TV station, Sculder finds Sheila, weatherman Holman Hardt -- and amusingly enough -- Mulder and Scully’s American Gothic doppelgangers. Hardt clearly doubts Daryl’s ability to bring the rain, but Mootz has mastered his dog-and-pony act for the desperate residents of a nearby drought-stricken town. You know, his “rain dance" reminds me of Elaine on Seinfeld. While Scully is in typical skeptic mode, the thunder rolls, the lightning crashes and the heavens open, drenching our intrepid heroes.

Hardt thinks a twister caused the cowtastrophe. Sheila confesses to Sculder that the cow’s death is her fault. She thinks she inadvertently created weather-related disasters at her senior prom and on her wedding day. Sheila explains how Daryl’s accident during the hail storm caused the loss of his leg. A local medic reveals Mootz crashed because he drove fast and drunk.
Fox thinks Holman is the one pulling the strings. Makes a lot of sense, considering how long Hardt has loved Sheila and despised Daryl. Sheila calls Hardt, but admits she likes Mulder. Better buy an umbrella, Fox. The next morning, Mulder confronts Holman, who claims he can’t control his powers. Sculder can't leave because of ill-timed fog, and in fact, Hardt is so desperate to win Sheila he asks Fox for dating advice. (The blind leading the blind indeed.) Holman talks to Sheila -- now claiming to be in love with Fox -- which causes a thunderstorm.

Sculder sway while Hardt finally reveals he’s in love with Sheila. She runs to the bathroom, where Dana tries to explain Fox’s theory. Daryl comes in from out of the rain – taking full credit, of course – and tries to hit Mulder with a crutch, but the “king” only manages to subdue himself this time. Sheila kisses Holman and everything ends up fine. In fact, everyone kisses but Mulder and Scully, although the last time they tried that (in the 1998 movie ) Dana almost died, so it’s better they play it safe. You know, I really could have summed up this episode with one paragraph, but where's the fun in that?
Sestra Professional:
Last time, we pored over "Terms of Endearment" (Season 6, Episode 7), which I didn't like as much then as I do now. So this week, it's the polar opposite." I thought "The Rain King" was a lot of fun in the day. It's cutesy overload now.

We've had a bunch of Saturday Night Live alumni in guest roles this season -- Michael McKean, Nora Dunn and now Victoria Jackson -- and, for all their talents, that didn't exactly alleviate the comedy categorization. Taking note of them in the credits signaled once again we weren't going to be taking things very seriously.
If I'd have known you were bringing the missus... Season 6 makes a lot of references to domesticity for Mulder and Scully, and that's continuously and clunkily driven home in this ep. With a large portion of the legions of fans wanting to see more of Fox and Dana's personal relationship and the show holding the blatant romantic context to the alternate reality of "Triangle," I can tell you from personal experience shippers were tickled by these kind of allusions.

Director Kim Manners, as usual, finds a way to do something completely unique even in these environs. Daryl's car crash was, well, impactful and when "The King" does his dopey dance and rain falls down on our heroes, we almost feel like we should take shelter as well. In the official episode guide, Manners expressed regret about one thing, though. He said after the cow crashes through Mulder's room, Fox should have quipped, "Got milk?" Gotta agree with that. The best line of the episode isn't in the ep.

I do not gaze at Scully: Even more ludicrous was Sheila's instantaneous crush on Fox. He did get more action from her than he has with Dana. Although maybe Sestra Am might be right, Fight the Future's almost-kiss was pretty hazardous to her health. But topping that nonsense was Mulder giving Holman romantic advice. Fox is brilliant about everything in the world -- except that. And Scully compounds the issue by playing Dear Abby. We've gone way too far off the diving board.
There might be something to be said for Dana's comment that "the person who is just a friend becomes the only person you can see yourself with" theory. Because ultimately this reasoning becomes my rationale for why the only person who should be with Mulder or Scully is the other. I wish I could appreciate it more being voiced in this episode, but I detest being hit over the head with it.

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