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Fox meets with the Weinsiders, listens to Laura’s description of her “dream” and learns the results of the sonogram. Mulder already suspects Wayne is being less than truthful and calls Scully, who is at the Department of Agriculture conducting boring background checks. She’s livid because Fox is shirking his assigned responsibility, but he has an original, albeit laughable, defense: “Scully, this is a classic case of demon fetal harvest!” Mulder wants Dana to look at the baby’s sonogram photo and review the medical reports. Too bad Wayne is listening to Fox's conversation on the baby monitor. Um, how is he able to hear Scully’s side too? It’s not like Mulder was using the speaker phone.
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The next morning, Dana phones Fox with her analysis. She thinks Laura intentionally caused a late-term abortion by consuming mandrake (the pill Wayne gave her before bed) because the baby was deformed. Mulder still suspects Weinsider, which is clear when he doodles horns on Wayne's photograph while talking with Scully. Weinsider goes home to see his wife, “Poopydoo” … but it’s a different home and a different pregnant wife. This one is Betsy Monroe, played by Grace Phillips, whose hypnotic blue eyes rival only movie actress Meg Foster’s.
Wayne returns to the Weinsider house where Fox, Deputy Stevens and local officers are combing the area for evidence. Mulder baits Wayne with some devilish comments. Wayne pulls Laura aside and claims he found his wife holding their baby and chanting while in a trance. He claims he burned Wayne Jr.’s body to protect her. The deputies find the remains in the furnace and Laura begins to believe she had something to do with the baby’s death. So the wife goes to jail and Weinsider thinks he is free to try again with his next baby mama.
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Later that night, Wayne meets Laura at the Roanoke County Jail. She sees the bite mark on Wayne’s neck and now knows what he is. Wayne regrettably sucks the life out of Laura. He tells Mulder and police she died in his arms, but Fox clearly isn’t buying it. Paramedics manage to bring Laura back, which stuns Wayne. When he finally makes it back to Betsy, she shows him their baby’s sonogram picture and tells him about the visible bone growths. She doesn’t seem as upset by it as Laura was, but Wayne is clearly disappointed and prepares to do to Betsy what he did to Laura.
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Sculder head toward Wayne’s second residence, but find Betsy driving Wayne’s car. (You know he’s going to be mad that she got blood all over his seats.). She claims Weinsider took her baby, so the agents head to her house and find Wayne outside with a shovel. He says he’s digging up the baby and tries to explain how Betsy is different, but his brother-in-law shoots him three times before Weinsider can finish.
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Sestra Professional:
"Terms of Endearment" had never been a favorite episode of mine, but it's one of those rare times when I like something more in retrospect than I did during original run. The initial issue might have been Bruce Campbell playing the everyman. I might have been expecting something more out of a guest star of this ilk. Spoiler alert: He won't even be snagging Guest Star of the Week kudos. But I do come around on this casting choice.
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Since we've had a few lighter-of-spirit episodes by this time in Season 6, I guess it was time for a true monster-of-the-week offering. They sure went whole hog on this one. There's an unfortunate aftereffect, though. Wayne's transformation into a nightmare fire devil, the fetus with horns and that demonic exchange of breath thing all seem kind of cartoonish. Even director Rob Bowman couldn't avoid that.
What's more effective -- albeit something of a ripoff -- was writer David Amann's pilferage from both Rosemary's Baby and Hitchcock. The first was more obvious. The latter, remember how twice Wayne dubiously carries a glass of milk up a staircase to his wife? That mirrored the action in Hitchcock's Suspicion when Cary Grant brought poisoned milk to Joan Fontaine, complete with the strategically placed illumination of the liquid to point out that something's off with it.
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There are some choice Mulder moments in the episode -- he gets to tail and antagonize his suspect. And even if his quips aren't as sharp as they usually are, it's fun to see him have the upper hand more than he generally does in the mythology episodes. Of course, he figures out Wayne's dealio, even if he doesn't quite gauge Betsy's until it's too late.
Ultimately that leaves Scully almost completely bereft in this one. Let's see, she gets to do their actual assignment, examine fetus corpses, get chewed out (off camera) by the boss, read research and ride in the car. This is not character growth by any stretch of the imagination.
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Speaking of thankless roles, Persky really grounds the character of Laura, first when Wayne tells her she harmed her own baby while she was in a trance, and then when she admits to her brother that she didn't know what she was doing. It's easy to understand that the devil actually fell for her amidst his legions of victims.
Betsy isn't like Laura: We quickly see things aren't the same with Betsy, even before we know what she's up to. This wife seems to have more spine -- bony or not -- than Laura did, even before she puts the kibosh on his fiery transformation. And two thumbs way up for possibly the best twist of the entire series. For all the ham-fisted throwaway lines like the potential insurance customer telling her children, "Slow down monsters," the saving Grace winds up being that Laura wanted the exact opposite of Wayne. Well except for taking off in his car, which apparently only has one CD in it. By the way, I don't think she needed rain specifically, it's just the idea of what's misery to us is happiness to her.
Monster mash meta: Campbell auditioned for the role of Season 8-9 lead John Doggett, saying on Twitter that he read for the part on the same day as Robert Patrick (who got the gig) and Lou Diamond Phillips. ... Credit Chris Carter with the ultimate revelation. Amann came up with the reverse Rosemary's Baby concept, but according to the official episode guide, the show creator was the one who said "What if the second woman wants the exact opposite of what the guy wanted?" ... Chris Owens noted in the episode guide he started getting recognized for playing Spender around this time. "One day, somebody actually waved his finger at me and just said, 'Paper shredder!'"
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