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Scully is already listening to Spender’s briefing when Fox and Walter show up. Mulder disproves Jeffrey's theories and gains support from fellow agent Diana Fowley, played by Mimi Rogers, the star of David Duchovny’s 1991 movie The Rapture. Sculder and Fowley head to a psychiatric hospital in Maryland to see Gibson. Diana mentions knowing Fox since 1991. Maybe that was a nod to their movie. If not, nice coincidence. Mulder plays the mean adult by turning off Gibson’s Simpsons cartoons (nice plug, FOX network) and trying to make him play chess, which is clearly the one thing he does not want to do. Turns out, Gibson is a mind reader and he has some fun by putting Fox on the spot with both Dana and Diana. Unfortunately, Scully is back in full denial mode regarding psychic abilities.
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A little rattled by Gibson’s psychic ability, Scully visits the Lone Gunmen while Cancer Man gets a death threat to the shooter. Dana initially wants information on Gibson, but zeroes in on her real concern -- Mulder’s “chickadee,” Diana, who was with Fox after he finished the FBI academy and when he created the X-Files. Mulder and Fowley discuss their past and Dana’s inflexibility when it comes to the paranormal.
Scully heads to Mulder and Fowley -- Fowder? Mulley? See, they wouldn’t work as a couple because the shipper names don’t flow -- sees them holding hands and leaves quietly. Dana chooses to call Fox from the car outside to arrange a meeting. While leaving, Scully almost backs into Spender’s vehicle. Jeffrey, meanwhile, gets sidetracked by Cancer Man, who offers some pretty self-serving advice. Mulder sees them talking but CSM gets away. Yes, the old, chronic smoker successfully ran away from young, healthy Mulder.
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Gibson is up to King of the Hill episodes now. (Boy, the FOX plugs never end. Maybe that’s the real reason Mulder’s first name is Fox.) An insightful Praise points out how people think one thing but say something different. When Fowley arrives to relieve Scully, Gibson reveals he knows they want to kill him. Scully promises that won’t happen. (I guess that means it is definitely going to happen.) Meanwhile, the shooter gets shot to death. How’s that for irony? Someone also blasts Diana into a coma and kidnaps Gibson (at night).
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Meanwhile, Cancer Man has gotten into the FBI building, into Fox's basement office and into the unlocked file cabinets which contain all of Mulder’s investigation files. (Really, Fox? Your file cabinets are unlocked??? You had way too much faith in your office door lock.) CSM takes the Samantha Mulder file, runs into Spender, reveals he is Jeffrey’s father (in a way less dramatic way than Darth Vader revealed it to Luke Skywalker) and burns down Mulder’s office. Fox stares in shock at the charred remains while Dana tries to comfort him. Now let’s go see what other cartoon programming Gibson could watch on FOX in 1998 while he’s being held against his will: Ooh, Ninja Turtles: The Next Mutation! Toonsylvania! Ned’s Newt! Yep, never heard of any of these. Of course, if The Syndicate keeps him for a year then he can start watching Family Guy!
Sestra Professional:
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I still remember the excitement over fans in the region getting to be part of that last episode of the season as extras in the teaser, the chess match at Rogers Arena. Producers expected around 5,000 to attend; 12,000 showed up. David Duchovny and Gillian Anderson took part in a Q&A as the company made a point to thank all of the crew whose tenure on the production was coming to a close with this ep.
But back to the actual meat of "The End." Characters are introduced who won't be part of the movie (Gibson and Diana), but will return for the sixth-season premiere. That's mainly because, as we've documented through Season 5, filming was done the previous summer with post-production occasionally intruding upon the ongoing serial. At least they figured out a fairly clean way to take Fowley out of the mix -- bullet + coma = no problem.
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Ick to the knowing looks passing between Fox and Diana. Dana doesn't seem to be that aware of the vibes, at least not until she connects the dots on Mulder's FBI timeline. It feels both jarring and stilted to be playing a soapy angle after all Fox and Dana have been through, more personally than professionally. I'm really not interested, and I'm not even a shipper. One point given for Mulder telling her he's done all right without her and that Scully makes him work for everything.
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Having said that, it's good to see Cigarette Smoking Man with a little bit of a weakness, namely that he wants Spender to pick up the game on his side of the board. He's putting his considerable powers on the side of a weakling, who is basically the opposite of an assassin willing to do exactly what he's told. And Sestra Am's right, Alex is just a glorified driver at this point. Albeit one whose instinct to take out the Smoking Man feels a lot truer to The X-Files than anything Jeffrey is doing or saying. The Well-Manicured Man also has lost a lot of the cache he used to have, his increasing dissatisfaction with CSM's methods -- which haven't exactly changed over time -- don't bode well for his future.
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While decrying the psychic ability angle as a parlor magic trick, Dana gets a lot more traction by wondering who would want to kill a kid with that kind of advantage. Why wouldn't that boy be of interest to factions seeking to rule the world? I too have a problem with them whittling down the X-files to just Gibson Praise, although I believe the opposite of Sestra Am. There's something kind of alien about Gibson's brain having activity that was previously unheard of. Maybe the testing that the extraterrestrials do on humans has manifested itself within this boy and he is a missing link. But everything they've been working on for five years? What do Eugene Victor Tooms and Luther Lee Boggs and killer cats and chupacabras have to do with him?
The stage had been set for the movie throughout the season, all that was left in the finale was for the Bureau to officially shut down the X-files. Smoking Man, perhaps not surprisingly a raging pyromaniac, adds the final indignity by setting Mulder's precious files ablaze. The last move in "The End" merely caps off a heavy-handed chess strategy analogy overwhelming this episode beyond the means for working Fowley and Praise into the mix.
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